Tag Archives: Disney

Countdown To Halloween:Headless Horseman Song (Bing Crosby)

Once again we are in the Halloween season. Pumpkins and scary decorations now adorn porches, patios and lawns. Here is a clip from the Disney animation classic The Adventures of Ichabod and Mr. Toad (1949). Of course if you want a more scary headless horseman you can view one here.

Have a nice Saturday everyone.

 


Wayback Machine: Zorro (Disney-1957)

The cover to The Curse of Capistrano by Johnston McCulley, The All-Story Magazine, August, 9, 1919
Public Domain

Zorro was originally created by pulp writer Johnston McCulley in 1919 and was set during the era of Mexican rule of California (1821-1846).  Don Diego de la Vega, a nobleman living in Los Angeles, adopted the identity of the masked outlaw who helped those who were persecuted by tyrannical authorities and other villains. Movie adaptations usually set the time period under Spanish rule.

McCulley’s stories were not always consistent and sometimes contradictory (Zorro might die in one story and alive in the next). Zorro is a cunning foil for those he goes up against. Sometimes his targets are overconfident while others sometimes bumbling. And he delights in giving them their comeuppance. There have been many movies made telling the Zorro story starting in the silent era all the way up till recent times produced in the U.S., Mexico and Europe. There have been both live action and animated television series as well.

One of the more notable ones was Disney’s Zorro that ran from 1957-1959 on ABC. It ran for two seasons before a dispute between Disney and ABC over ownership rights cut the show short. It was kept alive for a series of 4 one hour movies using the same cast. The dispute was resolved but Disney felt it had run its course. In the Disney version, Don Diego de la Vega was portrayed by Guy Williams (later of Lost in Space) for the entire run of the series.

The Disney Zorro used arcs that would span several episodes. The first season was primary with Zorro battling wits with Captain/Commandante Monastario. The second season had several different arcs such as dealing the the attempts to seize California from Spain by a self-made tyrant, dealing with corruption in Monterey, or involving characters that spanned several episodes.

What made Zorro so interesting is that he was clever, a good fencer, employed clever strategy, and rarely did he kill his foes (it did occur but not often by his hand but by some other means). The Disney version also used comedy to lighten the mood, often to good use.

While originally filmed in black & white, the episodes have all been colorized. There are different places you can buy them though the original Disney versions can be expensive. Beware of pirated collections sold through some websites. They simply recorded it from the Disney Channel and is not very good resolution. The Family Channel did a remake called The New Zorro (or just Zorro in some cases)that ran from 1990-1993.  It is a worthy successor in its own right though I think the opening theme from Disney’s version is better.


From the Halloween files: Something Wicked This Way Comes

something_wicked_this_way_comes_firstRay Bradbury’s Something Wicked This Way Comes, I recently realized, is an underrated gem. Wandering through my local library one recent Saturday, I noticed the book on the science fiction/fantasy shelf. I realized never read this book and checked it out. I wish I had read the book sooner as the story is compelling and scary. A perfect book for autumn and for Halloween.

The story is told primarily from the point of view of two 13 year-old boys, Jim Nightshade and William Halloway. They are in the cusp of leaving childhood and forever changed when Cooger & Dark’s Pandemonium Shadow Show comes to town in autumn. It is unusual for a carnival to come so late in the year and the boys are excited. It comes when everyone is asleep at 3am in the morning but the boys watch it set up and are excited about it. As the story progresses though, it becomes clear the carnival is not at all what it seems to be. They see their teacher, Miss Foley, come out of the Mirror Maze in a panic. And later they see Mr. Cooger turned into a 12 year-old boy by riding the carousel backwards. Cooger then insinuates himself into Miss Foley’s house as a relative. Later when Cooger ages back on the carousel, Jim wants to hop on but Will accidently hits the breaker. The carousel spins out of control and Cooger grows very old. Ultimately he becomes a new act for the carnival when the boys return with the police, Mr. Electrico. Mr. Dark, aka the Illustrated Man for the many tattoos on his boy of the souls he has taken, realizes the two boys are a serious threat that must be dealt with.

The carnival is a façade, designed to ensnare the unwary to become either servants for Dark or to send them back home more miserable than before. Dark and his cohorts are the Autumn People. For them the calendar goes from September to October and stops after Halloween. They are locked perpetually in that world, much like a vampire is, neither going forward nor backward. Autumn, since it is the transition from summer to winter, is a melancholy period of leaves falling, cooler evenings and other things. And the Autumn People thrive during this period finding people who have lost the joy of living and replaced it with fears, guilt, and misery. Charles Holloway, Will’s father, is sad at being too old to play with his son. And he fears death. Those fears and many more draw Dark and his carnival to their dark harvest.

Dark seems to have all the power at his disposal as all evil villains do. He manages to capture the boys and nearly brings about Charles’ death until he realizes the one true power that will defeat Dark and his people: joy. It is interesting that in this battle between good and evil that it comes down to something simple. There is no waving of swords, chanting of magical phrases. Instead Charles realizes that the simple love he shares with his son gives him power over Dark. And once they realize he has that power, it truly frightens them. For it is the one thing that can truly kill them. Joy, laughter, happiness are the weapons against evil here and it shatters Dark and his carnival. Dark is killed by simple affection in the end.

The depiction of good versus evil is focused not on the spiritual but on how we allow our self-perceptions blind us to the joys of life. If we allow our miseries to cloud our outlook, it can blind us to the real evils that come knocking on our door. The lightning rod salesman wanted to meet a beautiful woman. He did and got turned into a dwarf to serve in the carnival with no memories of what he once was. Miss Foley was seduced by Cooger’s promise of youth that she failed to see he was not her nephew at all. Enjoying simple everyday joys counteract the bad things we have in our life.

With its skillful combination of fantasy and horror, this book is considered at the top of many horror lists. Ray Bradbury wrote a lot of books, many of them in the science fiction genre, but also wrote others outside of those parameters. It was made into a Disney film in 1983 and one of the rare dark movies made by them. While it differs in some ways from his book (Bradbury was involved with the movie), it gets the setting right and the basic story is there. The book though is far superior to it and recommended reading when you want a genuine spooky book that will entertain and delight. Unlike Stephen King, who frequently lambasts small towns in his books, the small town setting is exactly the right place for this story. And its story of good versus evil has never gone out of style.

Further Information
Ray Bradbury (Official Site)
Ray Bradbury Biography (Biography.com)
Something Wicked This Way Comes (Sparknotes)
Something Wicked This Way Comes (Goodreads)

Countdown to Halloween#6

Monster Mash by Bobby “Boris” Pickett was a 1962 novelty song that was #1 on the Hot 100 chart from October 20-27. It became a popular Halloween tune ever since. For Pickett, it would be his one and only big hit. There are many variations out there but the original still is pretty darn good. First up is his performance from American Bandstand on October 13, 1964. And that very young guy introducing him is Dick Clark and not Jim Carrey!

Now a more modern version done by Mannheim Steamroller in 2006 from their Halloween music collection.

And finally poor Mickey Mouse visits a house where a monster mash is taking place. The footage comes from a 1934 Disney animation Mickey’s Gala Premiere.


Countdown To Halloween#3

Fantasia (1941) is perhaps Disney animation at its finest. While Disney has done other animations that get praise, this movie is at the top of most lists. There are two sequences of interest in the Halloween season. One is the famous-and scary-Night on Bald Mountain using the music composed by Modest Mussorgsky in 1867. Mussorgsky composed it as a symphonic poem but it was not well liked in his day and never performed. In 1886, five years after his death, Nikolay Rimsky-Korsakov arranged the music as a fantasy for orchestra. And it is this version that is used rather than the original one composed by Mussorgsky. It was first performed in Saint Petersburg in 1886 to great acclaim and became a concert favorite. For the Night On Bald Mountain chapter in Fantasia,Leopold Stokowski arranged this version based on Rimsky-Korsakov. It has become a classic. And now here it is.[Disclaimer: Our attorneys at Dewey,Cheateam, and Howe want to remind that unless the video is an authentic authorized version by permission of the copyright holder,this public showing may be in violation of copyright law. While this has been posted to YouTube, it does not mean the copyright holder has given permission to be shown on YouTube.]